It’s a heartfelt roman à clef featuring great work by Penélope Cruz as a mother who is eccentric one moment and brittle the next.
The first, L’immensità, was probably the best film I saw at SIFF, director Emanuele Crialese’s evocation of growing up in early 1970s Italy as a trans kid. I also saw a few queer-centric narratives from around the world, all anchored by impressive performances. It’s another of Lane’s wry examinations of the unusual back channels of American culture.
Public radio international pri seattle movie#
It’s a relatively ordinary movie about an extraordinary woman, but it’s still worthwhile.Īnd one more documentary: Penny Lane’s Confessions of a Good Samaritan, in which the filmmaker turns her camera on herself as she prepares to donate a kidney to a complete stranger. This is one of those straightforward biographies the network does well, tracking Moore’s life and career on her way to anchoring one of the most influential sitcoms of all time. It was a head-on collision between the past and future of entertainment, and even though no one wants to take the blame for it, it has become an unlikely cult object.Īnother funny, affectionate doc is Being Mary Tyler Moore, which is now airing on HBO. I’ll start off with a handful of entertaining documentaries, including A Disturbance in the Force, which is about the legendarily bad Star Wars Holiday Special that aired once on CBS in 1978.
During my time at the festival, I didn’t see any masterpieces, but I didn’t see any outright duds, either. distribution, you’re often walking into the theater not knowing what you’re going to get. Because most of these movies don’t yet have U.S. Last week, I traveled across the state for the Seattle International Film Festival, which, in its 49th year, showcased more than 250 features and 125 shorts.
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